Theater

I work in theater through text, voice, and character-driven performance, with a foundation in both classical training and contemporary acting practices.

I studied Drama at the University of California, Irvine, where I developed a grounding in acting theory, text analysis, and performance technique.

My training includes voice work at the Fitzmaurice Institute in Los Angeles, and intensive programs in on-camera acting and musical performance at the American Academy of Dramatic Arts in New York.

I have also trained with The Barrow Group, focusing on scene study, text-based performance, and on-camera work.

My theater practice complements my improvisational work, with a focus on voice, presence, and the relationship between text and embodiment. I am particularly interested in how scripted material and improvisation inform one another in performance.

I am open to collaborative projects in theater, film, and interdisciplinary performance.

Process / Approach

My work focuses on:

  • Text and character choices

  • Voice and presence

  • Emotional clarity

  • Physical embodiment

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Musical Improv

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