Theater
I work in theater through text, voice, and character-driven performance, with a foundation in both classical training and contemporary acting practices.
I studied Drama at the University of California, Irvine, where I developed a grounding in acting theory, text analysis, and performance technique.
My training includes voice work at the Fitzmaurice Institute in Los Angeles, and intensive programs in on-camera acting and musical performance at the American Academy of Dramatic Arts in New York.
I have also trained with The Barrow Group, focusing on scene study, text-based performance, and on-camera work.
My theater practice complements my improvisational work, with a focus on voice, presence, and the relationship between text and embodiment. I am particularly interested in how scripted material and improvisation inform one another in performance.
I am open to collaborative projects in theater, film, and interdisciplinary performance.
Process / Approach
My work focuses on:
Text and character choices
Voice and presence
Emotional clarity
Physical embodiment